Prior to buying this old Hag, my exposure to short-scale basses was limited to cheap, poorly set up, beginner models at places like Guitar Center or Sam Ash (RIP). I had long been of the mindset that “real” bassists only play full scale or longer. This opinion was based on
I owned an Atelier Z back in the mid 2000s and loved it, but when I stopped playing music regularly and had bills to pay, it was sold off. As I began playing again during the 2020 covid pandemic, I began playing more and more short scale basses, but still
I had been wanting to get a hollow body bass ever since I played a vintage Gibson EB-2 in a Nashville studio back in 2006 but never had the money, the right deal, or was playing the appropriate music at the right time. When I began looking on Reverb at
I fell in love with the Gibson EB 2 when recording with Peter Adams and the Nocturnal Collective in Nashville at Chris Grainger’s (Wilco, Sixpence None The Richer) studio on November 11, 2006. I had brought my Benevente SCB 5 string, but Chris wanted to go for a more
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