Every instrument carries with it a multitude of stories. Over the years, whether through the passage of time or moving to different owners, these stories are often lost. That’s why we created The Guitar Archive, where you can immortalize the story of your guitar with anecdotes, photos, videos, sound clips and more.
One of the best parts of collecting instruments is sharing the stories behind them. From the iconic stories of Paul McCartney’s recently recovered Hofner to the bar gigs your dad played with that guitar he handed down to you, these stories are an essential part of our love of collecting.
What if we had some way to track the history of an instrument, similar to what we have for cars? How many owners has it had? Has it been owned by anyone notable? Was it used on any recordings or notable gigs? What mods or repairs have been done? Who performed them? What maintenance has it received? How did it get any unique wear patterns or battle scars?
That’s why we created The Guitar Archive. It is a place where you can share the history of your instrument, including stories, specs, photos, audio and video clips, and more.
We hope you’ll have fun immortalizing your instruments and browsing the community submissions. Who knows, you may find your next dream guitar!
Like most musicians, I spend far too much time watching gear videos on YouTube. Back in 2021, I came across a video titled “Top 5 Boutique Guitars You’ve Never Heard Of” that included Fidelity Guitars. I was struck by the retro vibes of their instruments gave them a follow on
Prior to buying this old Hag, my exposure to short-scale basses was limited to cheap, poorly set up, beginner models at places like Guitar Center or Sam Ash (RIP). I had long been of the mindset that “real” bassists only play full scale or longer. This opinion was based on
Roscoe basses feel like home to me. My first ever “nice” bass was Roscoe LG3005 that I bought off of a website called Superbass back around 2002. I was in a band that was playing between 3-5 times a week and finally could justify spending the money on a high
I owned an Atelier Z back in the mid 2000s and loved it, but when I stopped playing music regularly and had bills to pay, it was sold off. As I began playing again during the 2020 covid pandemic, I began playing more and more short scale basses, but still
I had been wanting to get a hollow body bass ever since I played a vintage Gibson EB-2 in a Nashville studio back in 2006 but never had the money, the right deal, or was playing the appropriate music at the right time. When I began looking on Reverb at
I fell in love with the Gibson EB 2 when recording with Peter Adams and the Nocturnal Collective in Nashville at Chris Grainger’s (Wilco, Sixpence None The Richer) studio on November 11, 2006. I had brought my Benevente SCB 5 string, but Chris wanted to go for a more